Going back on stage

I recently auditioned for the part of Will in a play called, A Bright New Boise by Samuel D. Hunter.  The play is being produced in May by Mill City Productions  and directed by Kari Daly in Berkshire County, Massachusetts. 

I got the part.

The very thought of auditioning, at first experienced as terrifying, turned out to be joyful – once I was underway. I’ll explain in a moment.

Mr. Hunter’s play won the 2011 Obie Award for playwriting.  The play is about a man (Will) who takes a job in a Hobby Lobby in part to distance himself from a tragedy linked to an evangelical church he’d attended as well as reconnect with a teenaged son who’d been placed for adoption years earlier. I’d say he’s got himself a full plate.

Over the past few years I’ve been doing the best I can to break down, or, better explained, break through what I call fear walls. Fear walls being the anxiety and panic producers resulting from the brain injury and PTSD I live with. I was held up and shot in the head in 1984.

The very idea of auditioning for a part late in the day frightened. While I believe I would’ve broken through the fear and auditioned without help, there is no doubt the words of my friend of 40 years, Michael Sulsona, helped immeasurably. In an email addressing my fears he said: “I think it’s important that you do it.  Not only for you but for others to see you up there on the stage.” 

As usual, his words helped immensely. Not only that, he’s seen me on stage and, it is well worth noting, he is an extraordinary playwright and screenwriter with something in the neighborhood of 23 plays – many produced on off-Broadway – and 15 screenplays under his belt. There are more reasons than friendship to trust his judgment.

When I got in the car to drive to the audition I was astonished to find myself feeling overjoyed, celebratory, in fact. It occurred to me that returning to the theater was, in its way, returning home. I was on stage as a dancer at age seven and dancing a lead role with the Joffrey Ballet when I was 13. Later I was involved with the Quena Acting Company, an offshoot of Joe Chaikin’s, The Open Theater. Years earlier I’d performed a one-man play I wrote called, The Bum and, over the years, I’ve done quite a few poetry readings and God knows how many speeches and seminars. Once a performer, always a performer, I suppose. 

By the time I reached the site of the audition I was utterly relaxed and at peace. The audition was a wonderful experience. I went home wanting more of the experience. The next day I called Michael and jokingly told him I’d been cast in the role of Cleopatra.

Now, the reason for writing about this:

Over the years it has helped me when others, through act or word, have reminded me that what feels impossible may not be impossible at all. In other words, the feeling doesn’t define any fact other than accurately reflecting the emotional experience you’re in at the moment.

As for navigating your way through the fear, here is a phrase that helps me. It’s okay to be afraid, don’t let it scare you.

Billings Montana Editor: Dead children sell

In a glaringly insensitive and self-absorbed column today, Montana’s Billings Gazette Editor Darrell Ehrlick made it clear the Gazette will continue to publish the names of children killed in accidents – without asking the family’s permission.  Ehrlick’s column also made it clear the Gazette has no intention of informing families ahead of time when the paper plans to publish the dead child’s name. Let them read it in the paper.

Proof of Mr. Ehrlick’s insensitivity and self-absorption will be provided at the end of this piece.  Mr. Ehrlick’s quotes provide ample evidence

Early last month a 21-month-old child was killed by a vehicle driven by a driver with five DUIs, two of them felonies. For reasons perplexing to all, no charges have been filed. To the family’s horror, the Gazette published the child’s name – without asking them, of course.

Family members and friends of the family, including this writer, reached out to Mr. Ehrlick pleading with him to remove the child’s name from the website and asking him to pledge not to publish the names of minors killed in accidents in the future, unless, of course, the family gives permission. Mr. Ehrlick won’t budge.

Mr. Ehrlick says the paper publishes the names of dead children because “we have an obligation to provide the news.”  Rubbish. Names of  victims of rape are not published. Names of children charged with crimes are not published, unless they are being tried as adults.

There are real reasons most of society applies a gentler code-of-conduct when addressing the lives of children. Juvenile records are kept sealed unless a court order directs they be opened. Most of us place children in a sacred placed. If you go to prison for harming a child, you’ll be placed in protective custody, if you’re lucky.

Journalists are like everyone else. Some are good, some are great, some have integrity. Then there are the bottom feeders like  Mr. Ehrlick and Rupert Murdoch. Bottom feeders who will stop at nothing as long as it is sensational and, most importantly, sells.

Now, to the proof, some evidence of Mr. Ehrlick’s insensitivity and self-absorption.

Keep in mind, the piece he published today was a response to those who called into question the Gazette’s publishing the names children without the family’s permission when they are killed in an accident.  I suspect you and I would agree that the most important issues here are the loss of the child’s life, the family and loved ones whose hearts are pulverized by the loss, and the paper’s current policy of publishing the child’s name without the family’s permission.

Evidence Part 1

If we take Mr. Ehrlick’s piece as honest, I have no reason not to, the loss of the child, the family’s suffering, and the policy are not the most important things as far as he’s concerned. As far as Mr. Ehrlick is concerned, he is.

The beginning of his piece reads:  “Sometimes, when I get asked, “How was your day,” I hardly know where to begin. On Feb. 6, just a few weeks ago, my day was like many — unexpected, bordering on surreal… I walked from The Gazette exhausted from the day and the week…”

Never mind that a child died and a family is suffering, Mr. Ehrlick’s had a hard day –  he’s tired.

Evidence Part 2

Mr. Ehrlick asks readers to believe he has compassion for the family.  Just after talking with  family and community members upset with the paper for publishing the child’s name,  he says he “walked from the office knowing that in Billings one family was experiencing unimaginable grief.”

Let’s think about this. He says he knows a family is experiencing unimaginable grief. He’s just been told by several people, including members of the family suffering said unimaginable grief, that the paper has added to that grief. Yet not once did he apologize to the family for adding to the grief.

Evidence Part 3

Family members and readers pointed out the Gazette did not name the driver who killed the one-year-old child. Mr. Ehrlick’s response to this boggles the mind. “If we don’t have a criminal case, even a misdemeanor, obtaining and verifying the name is not possible.”  Let me tell you something, if you’re a professional journalist with even a modicum of skill, you can obtain and verify the name of the driver. Mr. Ehrlick is either lying or Gazette’s publishers have hired an incompetent. By the way, if he wants the name, he can ask me.

Evidence Part 4

Not surprisingly,  the end of his piece is all about (wait for it), Mr. Ehrlick.  He ends the piece with: ” Journalists at the heart of these very cruel stories don’t just leave the facts at the office.  This one keeps coming back to me — weeks later.”  Mr. Ehrlick wants readers to know about his suffering.

Evidence Part 5

No doubt Mr. Ehrlick thought he was writing a column responding the concerns about the paper’s publishing the name of a one-year-old child killed by a vehicle. Given he is the editor, he clearly has final say in what photo runs with his column. His choice was not a surprise.  It’s a picture of Mr. Ehrlick with a big smile on his face.

Memo to Mr. Ehrlick

In your column you said: “It would not even worry me if someone wanted to have a debate about how we cover these stories and the reason we write about them.”

I’d be happy to debate this with you in a public forum, Mr. Ehrlick. Your paper can  foot the bill, fly me out there, and we’ll have at it. A public forum, Mr. Ehrlick.  Just think, with any luck, the experience of being in a debate with me will keep coming back to you – weeks later.