Sweet pulse muscle moves
me onward up hill
climbing days
let’m come
Leg churning piston drives
open sky breeze shifting
feather touching
let’m come
Powered legs raise me standing
unflinching unbowed vision
clear sighted I say
let’m come
Sweet pulse muscle moves
me onward up hill
climbing days
let’m come
Leg churning piston drives
open sky breeze shifting
feather touching
let’m come
Powered legs raise me standing
unflinching unbowed vision
clear sighted I say
let’m come
The best writing advice I ever received was given to me by Louis Sheaffer, a staggeringly wonderful writer in my view. Mr. Sheaffer received a Pulitzer Prize for the second of his two-volume biography of playwright, Eugene O’Neill. Another remarkable writer and person, to put it mildly.
I met Mr. Sheaffer at his home in Brooklyn Heights around 1980. I’d been bold enough to mail him a script for a play I’d written with a letter written by my nervous hand asking him to read it. And he did! He called me, and invited me to his home, an apartment that was a writer’s workplace. I remember a large and long wood writing table and index card files, everything was wood; it was a beautiful sight.
It is only now I realize Mr. Sheaffer made me feel less alone as a writer. That I was unpublished in any way at the time was irrelevant to him. He knew I was a writer. That this might not sound like much to some is yet another irrelevance.
The task of writing is one of those things that requires, not just being alone, but being alone as completely as you possibly can in the moment you are in. When writers know they are safe with each other, the camaraderie is intimate and glorious, and humbling.
So here is the advice Mr. Sheaffer gave me. “Whatever it is you want to write, read a lot of it. If you want write plays, read a lot of plays, novels, read a lot of novels, poetry, read poetry,” and so on.
Let me tell you, for me, he was spot on. I’m right currently reading a novel called The Hamlet by William Faulkner. His writing is Picasso in English. He takes sentences where most others don’t tread. It’s not a matter of fearing to tread, in the least. It’s usually a matter of not seeing the trailhead, as it were.
Charles Dickens’ writing displays an understanding of people, of children (bless him) and life’s environments so thoroughly I just wish I could have met him and thanked him and hugged him. I will re-read a sentence or paragraph or section because I want the experience again! Do not people listen to a song more than once! I’d avoided Dickens for some knuckle-headed reason, no doubt rooted in the poison soil of judgment, and then, around 1990, thinking about Mr. Sheaffer’s advice, began reading him. Started with his first book, Pickwick Papers.
Going to my grave without experiencing Dickens’ writing would be hell all on its own.
Mr Sheaffer in August 1993 in the Long Island Hospital in Brooklyn, New York, the same hospital that saved my life after I was held up and shot in 1984.
An amazing experience, life.
Let me spit shine some words for a ramble
on this page words my words be
rhythms set free they walk stride skip
carrying you along for how long
we’ve yet to see remember
to breathe now breathe
necessary you
know
When someone really loves you they may in fact be a direct challenge to anyone or any thing in life that has given you the message — or may still be giving you the message — that you not worth loving. Whether that message is delivered by the punishing voice or hand of a parent or another family member or stranger, or someone alleged to be a trusted member of society, the message is pulverizing, and horribly wrong.
You are well worth loving and you always have been well worth loving. Whether you truly know this to be true or not, it is true.
If a child lives in a environment in which he or she is told, every day of their life, that they are bad, not worth loving, ugly, stupid, fat, and so on, what else would one expect a child to believe? Children have no reference point they can draw from to understand what they are being told about themselves is completely false.
So, when someone loves you, that person, that love, is a direct contradiction of the myth the wounded child has come to believe, and therein lies the challange. Breaking free of the myth, getting free of your history.
This is not easy, I know. But it is, I promise you, possible. I know this too.
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