Shady in the house

– How long you called Shady?

– All memory long, or thereabouts.

– Nice sound.

– Been trustworthy from jump street, so there’s some humor in it.

– Like jazz notes, the sound. Shay-dee. Shaaaaay-deeee. 

– Saxophone.

– Clarinet, could be.

– Absolutely, yes.

– It’s a good name.

– Thank you, man.

– You’re thinking these days?

– It’s like Benjamin Franklin said when some folks asked him what kind of government the new constitution created. “A republic, if you can keep it.” We’re going to find out if we can keep it.

– This president.

– Does not want the republic.

– Shady’s a good name.

– Thank you.

– Jazz.

– Clarinet.

– Shaaay-deeee.

Congress & Shut The Fuck Up

I’d like to be able to just go ahead and say, Shut the fuck up and not cause any trouble in the process. I mean no disrespect. That said, I write and say my own sentences, thank you very much, and it is not my fault that shut the fuck up is a phrase that can be very helpful on the emotion management front. One of my favorite lines in movies is in Midnight Run, when Robert De Niro’s character says to Charles Grodin’s character, I got two words for you. Shut the fuck up. A classic line, if ever there was one.

Shut the fuck up is a playful phrase with all kinds of fun potential. Just close your eyes (or not) and imagine yourself saying, Shut the fuck up to those you think might just benefit from the experience.

I’d pay good money to walk up to Trump and say, “Yo, orange boy, or whatever the fuck happened to you, shut the fuck up.”

I thank some members of Congress for helping me realize I’d best not to say, Shut the fuck up,  because it is, if these folks are any measure, an apparently deadly form of nuclear-weapon English. After all, members of Congress cower in fear when faced with schoolyard tweet or taunt from Trump. Lyin’ Ted scare the shit out of you, does it? Little Marco, freeze you in place?

To these brave congressional few I say, I’ve got two words for you, shut the fuck up.

A Place For Mom? (What about Dad?!)

Every once in a while a commercial makes me want to yell and break things. Growl. Emit mighty harrumphs into the air.

I do throw a fit when I see A Place for Mom commercials with Joan Lunden (a fine person by any measure).

(What about Dad?! Who finds a place for Dad?!)

With its U.S. Headquarters in Seattle, Washington, A Place for Mom is essentially “400 Senior Living Advisors across the U.S. and Canada” who help you “transition [someone] into senior living,” according to the company’s website.

It may be the best darn company of its kind on planet earth, for all I know.

(I cannot comment on whether the company has expanded to extraterrestrial locations.)

The thing is, I don’t like the company name. Not at all.

Choosing to transition into senior living doesn’t transform an individual into a puddle of helpless flesh and bones. The last thing anyone needs to encounter at a time like that in life is condescension, intentional or not.

And, there’s something else. Best as I can tell, there’s no actual senior living community operated by A Place for Mom. And that’s not fair to Mom. (Or Dad!)

One writer’s internal dialogue

  • It’s time to do some writing.
  • Fuck me.
  • I’m serious.
  • I can tell.
  • You just –
  • One word down, then another –
  • And another, exactly.
  • You know what gets me?
  • What?
  • It sounds so easy. Just sit down, or stand, whatever works, and then just start writing anything. Just set words down and pay attention and the words will just come of their own accord.
  • That’s not so easy.
  • What – ?
  • “Words will just come of their own accord.” That’s an act of faith on your part. Faith that if you begin the words will follow. The weight’s on you to begin, then it’s pretty much stay the hell out of the way. It can’t be the same experience each time you write, is it?
  • Now that you mention it, no.

Marty & Sheila (a divertimento in the key of dialogue)

  • No, Sheila, it’s not that. I want to know for a couple a reasons.
  • More than a couple.
  • No doubt, no doubt. I just need to know if I am the only one in this experience. Think of it as an alignment thing. If I’m out here standing on a rock by myself, having this experience, okay. I’m not worried about me, per se, but it’d be helpful if I could understand how I got standing on this rock by myself. I’m in my sixties. The mind can go, you know. I’d like to try to keep mine in the front yard. If I’m not standing alone on the rock, or you’re in sight of it, how do you explain this?
  • We’re friends, close friends. What kind of rock is it? Is it a nice rock?